Nearly Human (aren't we all) is a clever title for an album of flawed, in one way or another, characters. I believe this is Ted's most marketable release since "S/A?". Great songs, great production, great vocals, and great ensemble. Ted can't go wrong with the likes of Clarence Clemons, Roger Powell, Prairie Prince, Shandi Sinnimon, Norman Smart, Bobby Strickland, Kasim Sulton, Tarry Tagg, Michael Urbano, Willie Wilcox, Lyle Workman with him. Not to mention Michele Gray and the Dick Bright Strings.
"THE WANT OF A NAIL":
Great song to start. Sets the tone of a sleekly produced, solid,
vocal-driven album. This song has that "live to tape" feel Ted
perfected on Second Wind.
"THE WAITING GAME":
Can you say pop? Bet Ted wrote this one in his sleep. Of course,
it's a zillion times better than I'll ever write awake! Did I once
read that it was either written to be used on a soap opera, or that
it debuted on a soap? The lyrics sound like a soap opera, but I may
just be very confused.
(And check the sound of the line, "But we live in different galaxies.
" Sounds a little like Ted's theme to "Aliens In The Family")
"PARALLEL LINES":
Enough has already been written about this song's meaning to our
personal experiences. Yeah, it strikes a chord with me too. It
works as one of Ted's many emotional band-aids he has given us over
the years. Personal feelings aside, this song ranks right up there
with "Hello, It's Me", as one of Ted's most memorable songs. It
could be subtitled, "Hey, you over there, hello, it's me, over here.
)
I can see Ted playing this one in a lot of concerts well into his,
and our, old age. (Wonder what the swing version will sound like?)
And what a great line he ends this stanza with:
"So I send you the gift of empathy
If you'd once in your life acknowledge me
I have visualized so thoroughly
that when I think of me I think of we"
Without a doubt, one of his best lines. So simple, so odd, so packed
with emotion. And so many damn bells ringing. Is that his cue to us,
or was there just a bell going off in his head?
The videotape version on "Live in Japan" is wonderfully packed
with classic Ted sign language, especially on the line, "I know that
the world is full of opposites that attract." If you don't have the
video, get it, it is as good on every NH song, and better on some.
"TWO LITTLE HITLERS":
(sorry guys, last time I commented on a cover by Ted I got flamed
so badly my ass is still burning)
"CAN'T STOP RUNNING":
What a nice solid beat this song starts with. Kinda clock-like
thorough the first half. Steady, not too fast, just persistently
beating along.
Then, after a "Hawking"-like fall into the arms of his god, it's
double-time running to the end, with a brief nod at 4 minutes in to
his Tedtopian past-- "feet don't fail my now."
"UNLOVED CHILDREN":
Great singing, passionate guitar playing by Ted, especially on
the videotape version. Again Ted shows off his economy of words in
expressing himself-- "His fist, your face, you kiss the ground".
"FIDELITY":
Great production on this song, though as a "love song" I prefer
the message in "Parallel Lines". (still, with this song, Ted's
right, I just hate admitting it)
"FEEL IT":
Again, nothing like a solid rythym section to get things going.
Love those "Dick Bright Strings"! And thank godd Ted added a lot of
brass to this album. I also really like the vocal phrasing on this
song, also well as that great sax.
"HAWKING":
Without a doubt, the most passionate song ever written and
performed by Ted, though recently rivalled by his live version of
"Beloved Infidel". Ted seems to really connect emotionally with
Stephen Hawking's frustrated attempts to communicate radical, yet
simple and pure ideas. And again, great sax solo, and in this case,
just like the lyrics say, "dreaming"... very dreamy sax.
"I LOVE MY LIFE":
Good-bye "Just One Victory", hello "I Love My Life". Ted's new
encore, and it really works to get the crowd up and going and then
just completely drains them. Like "Parallel Lines" and "Unloved
Children", if you haven't heard and seen the Live in Japan videotape
version, or ANY live version, you really haven't heard this song.
And is it a "funny love thing" or a "funky love thang"?
That's just some thoughts as I head out the door for a chilly Christmas parade at the oceanfront. Got my tickets for St. Pete and Orlando, and am feeling warmer by the day.
<INSERT CLEVER TODD LYRIC HERE>
Jerry
